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Old 11-13-2016, 06:58 PM
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benman94 benman94 is offline
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The Burns and Allen show probably wasn't a kine, but the screening Steve attended used some kinescopes as source material for the other programs. The color correction software used (DaVinci maybe?) ran an ad campaign using examples from the extremely faded Eastmancolor elements.
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Old 11-13-2016, 08:34 PM
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Steve-
Any idea if those color kinescopes might make it to DVD and/or Blu-Ray one of these days? I can't imagine Sony spending the money on the restoration process for these early color programs just for the hell of it.
As mentioned B&A was a filmed show. Color kinescopes didn't provide a very good color image. I did ask Dan Wingate if this and other shows in their archive would be available on DVD. I recall his response was negative on this. This was about 5 years ago. Also presented was a 1954 Eddie Fisher "Coke Time" show (attachments). This was an NBC color kinescope. Again, I snapped some screen photos but the image came out blurry. A 1954 NBC Dinah Shore Show color kine was also shown.

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Last edited by Steve D.; 04-12-2018 at 12:23 PM.
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Old 11-14-2016, 12:31 AM
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I did ask Dan Wingate if this and other shows in their archive would be available on DVD. I recall his response was negative on this.
A couple of years ago, I talked to a guy whose company does restorations of material like this. He said the legal obstacles to producing a DVD of a variety show are overwhelming. Consider a single musical number performed by a guest like Ella Fitzgerald: you need to get a release from the guest performer (i.e., the estate of Ella Fitzgerald), plus a release from whoever owns the copyright for that song, plus releases from everyone in the studio orchestra playing in the background. And don't forget a release from the broadcasting company that aired the episode . . . on and on.

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Old 11-14-2016, 11:44 AM
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A couple of years ago, I talked to a guy whose company does restorations of material like this. He said the legal obstacles to producing a DVD of a variety show are overwhelming. Consider a single musical number performed by a guest like Ella Fitzgerald: you need to get a release from the guest performer (i.e., the estate of Ella Fitzgerald), plus a release from whoever owns the copyright for that song, plus releases from everyone in the studio orchestra playing in the background. And don't forget a release from the broadcasting company that aired the episode . . . on and on.

Phil Nelson
Phil's Old Radios
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Phil,

This is an ongoing problem with so many early TV programs. I'm sure there are archives out there with all manner of early broadcasts with these legal issues that restrict their being released on DVD or any medium. I know the UCLA Archives has much to offer but also deals with the legal obstacles.

-Steve D.
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Old 11-14-2016, 04:33 PM
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With the Mickey Mouse Protection Act in place, and further extensions seeming likely, I'll be in the ground by the time the first early color programs from 1954 lapse into the public domain.
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