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#1
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Actually, the newer sets had built-in pattern generators, and were converged via the remote control. The user would enter a set-up code, then you were able to move a cursor through the crosshatch on the screen with the remote. You were then able to tweak each color in a relatively small area.
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#2
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Thats a poser. First in lines still had electronic adjustments
& would often need touching up but there were less adjustments. I would say from abt 1980 on convergence & purity adjustments became fairly permanent. Changing the jug or yoke was pretty much the only time it was an issue. Many sets both US & Jap used the RCA bonded (glued on) yoke CRT's. They also had a tape like magnet for conv & purity so everything was factory set. Personally I always liked the delta guns for set-up, after you do a few its fast work to do it. The whole process made sense but I never got the hang of in-lines, just messed with them & they would suddenly fall into place. 73 Zeno
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#3
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Quote:
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#4
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Quote:
built in. Its by no means a customer ajustment. Hard enuf to explain the other controls to some. Many projo sets had a crosshatch or just a + for the customer to use or an automatic set-up like Hitachi. 73 Zeno
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#5
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| Audiokarma |
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