About the photography: With the Sony A6300, I could not eliminate the frame bar no matter what combination of shutter/fstop. So, used iPhone X with Hallide software to shoot in RAW. The color looks much better with the eyes. Capturing the color information is difficult. With a conventional set, you have three active color beams all “on”. With the Sanyo, you have one beam, so it’s hard to sync the shutter to capture “all” the color information. As I’m shooting, on the phone screen, I see the color dim and brighten, rapidly along with frame flipping, so we took multiple shots “at the right moment”. You may notice that two of the photos (from the Red Shoes) captured the skin color accurately. I got lucky with capturing the full color information. The shot of the ballerina with orange hair is dead on with the stage lighting used, but we have a significant contrast issue in all the shots because of the 6 nit minimum black level requirement. (Note, Sony got the black level issue resolved with their pro IDX-5000 monitor receiver).
I want to correct two misstatements I made earlier. The horizontal scanning is 47 degrees not 45 and the the index stripes are laid down at every forth RGB phosphor stripe like this.
https://visions4netjournal.com/wp-co...F8458826C.jpeg
About the blue line, the below snippet may apply from a tech article from IEEE which is licensed to me only, but if you are a member you can get the full article free. I wonder if the index phosphor formulation differs from Sony causing the blue light, but obviously they are not lit between the RGB stripes?
https://visions4netjournal.com/wp-co...796677277.jpeg
The RGB stripes are 0.21 mm and the beam width is 0.178 mm.