#1
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Another local Hoffman! COLOR!
Found a Hoffman colorcaster television local.
don't have it yet http://suzaku.live-evil.org/hoff112.jpg 1967 w a 23EGP22 CRT
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#2
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looks at the SAMS folder...
This thing is an RCA clone!
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#3
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...with a Zenith picture tube!
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#4
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Yes, it does look like a Zenith type cataract, but the sticker on the back says sylvania, did they use the Zenith method? http://suzaku.live-evil.org/zenuth.jpg
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#5
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Zenith didn't make a 23EGP.
BTW, what's the "Zenith method"? |
Audiokarma |
#6
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Sylvania CRTs do get Zenith style cataracts, and supposedly respond to the same removal methods. The only Sylvania color CRT I've had was a post safety glass tension banded tube so I've never verified what I have read that they respond the same.
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Tom C. Zenith: The quality stays in EVEN after the name falls off! What I want. --> http://www.videokarma.org/showpost.p...62&postcount=4 |
#7
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From what I have seen here and there, there are only 2 major types of methods (styles) of bonded safety glass used in these things, RCA, which turns white & cloudy (moldy) looking, best removed with heat, and the Zenith type of bond, which turns green and gummy, best removed with thin wire, and a lot of patience and strong hands!
As E.M. Has confirmed, this tube does indeed have the Zenith type of bonding used for the safety glass, meaning it will be much harder, and not to mention hazardous than the RCA 21FJP22 ones I have done before. As I have heard that these tend to be more unstable in the process than the roundies,
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=^-^= Yasashii yoru ni hitori utau uta. Asu wa kimi to utaou. Yume no tsubasa ni notte. いとおしい人のために |
#8
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Quote:
If you remove the cataract with heat it'll probably implode. If you remove it with just guitar string it'll probably be fine, but a raw 23EGP has a slightly higher implosion risk just sitting there than other color tubes.
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Tom C. Zenith: The quality stays in EVEN after the name falls off! What I want. --> http://www.videokarma.org/showpost.p...62&postcount=4 |
#9
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I have an RCA-style (moldy white crap) cataract on a 23EGP22 in an Admiral combo.
Tom: it sounds like no heat is safest, maybe even baking it in sunlight is a risk. The guitar string may need to be heated ala current source?
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"When resistors increase in value, they're worthless" -Dave G |
#10
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I have been looking at the SAMS for a while now, and just LOLing!
It's obviously an RCA CTC-17 -ish type clone, with mods, but what got me was the totally pointless mod of what is called the “color caster” color indicator circuit, which is 2 NPN transistors hooked to the color bandpass, which turns on 3 lights when color is present.... WHY BOTHER? :O HEY, WE HAVE COLOR! let's light up the color, and tint controls!
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=^-^= Yasashii yoru ni hitori utau uta. Asu wa kimi to utaou. Yume no tsubasa ni notte. いとおしい人のために |
Audiokarma |
#11
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Quote:
Of course, in later years we had cable systems that never turned the color burst off on anything including black and white movies, producing crosscolor when it should have been killed. By then no sets had a color indicator, but it would have been useful to me after I turned the color down deliberately on black and white movies. Edit: well, not really useful, as it would always indicate color, but it might remind me to turn the color up again. |
#12
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__________________
=^-^= Yasashii yoru ni hitori utau uta. Asu wa kimi to utaou. Yume no tsubasa ni notte. いとおしい人のために |
#13
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Wow - they even had a color defeat switch. This would make the indicators useful as the user might have turned the color off with the defeat switch.
The reason for a color defeat switch was for cases where a set was used in a fringe area and the noise might have made the color killer unreliable. The color killer control could be set to make sure color programs got through, but the switch could be used to eliminate color snow on black and white programs without disturbing the color control setting. Obviously the color killer and color indicator could have different thresholds. I wonder if the color indicator tended towards false positives or false negatives under noisy conditions. |
#14
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I always thought the color defeat switches on the various brands were to eliminate color on fringe color programs where the picture looked worse in color with snow than without color.
__________________
Tom C. Zenith: The quality stays in EVEN after the name falls off! What I want. --> http://www.videokarma.org/showpost.p...62&postcount=4 |
#15
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What gets me is the 3 parallel lights, " Easy vision cinema " Say what?
__________________
=^-^= Yasashii yoru ni hitori utau uta. Asu wa kimi to utaou. Yume no tsubasa ni notte. いとおしい人のために |
Audiokarma |
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