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I should mention, though, that at least one type of 23" B&W CRT can have its band removed safely-in fact, you have to do so because new CRTs (National brand) in the early 1990's came without the band. We may have one or two still in the box here that I have not used yet. The band has a hex-head bolt and nut assembly that is loosened to remove the tube. I have always been a bit nervous when changing them, though, because I wondered if the band "held together" a CRT, and you just confirmed that. |
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We rebuilt 21AXP22's in the same process by heating it up the same way in the ovens and had a 80% sucess rate
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julian |
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What about monochrome?
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Not to highjack the thread, but what would happen if the button was broken, or it lost vaccum while a CRT was in operation? The heaters would burn up as soon as air enterd the tube, right?
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Audiokarma |
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No. If a tube starts to lose its' vacuum during operation, it will immediately begin to arc all over the gun mount with blue sparks. This is how you can tell quickly in a solid state set if you have a broken tube or not and you can certainly hear it with a distinctive sound that sounds like a loud hissing in the tube itself. Strangely, the filament will not open up as it is very tough and goes to almost zero ohms as like a dead short. There is not enough current in the filament voltage to make it burn out. (later sets mostly)
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julian |
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Not much you can do except make sure the oven stays at a constant temperature (400 degrees) with no sudden temperature change. In the late 60's we never did many metal tubes because they were old then and Paul, the owner never wanted to mess with them because when a tube blows in the oven, you lose labor and materials. Plus you have to clean the oven out. All of our ovens had "scars" in them from when tubes went off.
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julian |
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There is a difference between a pressure band and a mounting band. The banded tubes use steel like a packing band and is crimped with a similiar seal. You can remove it AFTER the tube is let down to air which you HAVE to do when rebuilding it. You would normally use a hacksaw and can reuse the band on a smaller tube. The idea is that if a tube is struck from the front, the sides of the tube will have to expand in order to implode. With the band wrapped around it, the perimeter cannot expand thus making the tube safer.
A mounting band has a clamp that you can screw down and doesn't count here. Some tubes have the mounting ears made in with the pressure band for a specific application. If you use a hacksaw to remove the band on a live tube, the band flies apart, dangerously and the tube suddenly "expands" enough that the bulb will rupture and implode. It doesn't bother a tube already let down to air because there is no tension on the glass bulb. The glass bulb or envelope cannot be scratched anywhere because the scratch makes a weak point and you CANNOT put a scratched bulb in the oven as it has an 90% chance of imploding because of that scratch. (On the faceplate esp) Somehow a few tubes get scratched on the face in the process (both new and rebuilt) that it was a good tube and putting a bonded face on it would hide the scratch with the resin between the two glass surfaces. Many others were called "seconds" if it wasn't a bad scratch as well as tubes that developed "pimples" in the phosphor. RCA made test jigs using a 19" tube (19EYP22) that had "TEST TUBE ONLY" sandblasted on the front upper corner of the tube so that you couldn't sell it as a replacement tube. They were that valuable back then.
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julian |
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A CRT without vacuum doesn't suck.
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I respect all these opinions, but I have personally had CRTs with a broken tip re-evacuated (and cooked in the oven) and they worked fine. I was advised that it might be a waste of money, but it did work. One was an 8" Arvin metal tube which had a metal tip that leaked, the other was a 21" B&W bakelite base tube. No phosphor problems, but the 21" did get a new gun. When they cook the tube, it forces the air, gases, and moisture out while they evacuate. The Arvin gun was still OK, although maybe a little less emission. In another case, I had a Sony 30" Trinitron CRT rebuilt after it had the neck cracked and lost vacuum. That one too got a new gun, since they were cheap and available. But again, no stains or phosphor problems.
I also had a 21AXP22 rebuilt after being with lost vacuum for a long time. It worked fine, but lost vacuum again. As far as the pressure band, I have heard both ways on that. In theory, it shouldn't implode. The band is applied AFTER the tube is evacuated, and often my local rebuilder (Dunbar Sales in Los Angeles) would store the tubes without the band, so that they could slap it on with whatever mounts were needed for a particular request. The newer tubes all have the pressure band holding the mounts on, not like the older ones which had the pressure band plus another screw-tight band for the mounts. I'll stay on the fence on this issue of what happens when the band is cut off after the tube is evacuated, as I haven't done it (and DON'T PLAN TO). Charles
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Collecting & restoring TVs in Los Angeles since age 10 |
Audiokarma |
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A broken CRT is always a sad thing to see. Also sad...in the early 90s I stored a CTC-15 with a good Channel Master rebuild. Just a few years ago I decided it was time to get the set going. I put the crt tester on it first and thought it odd that the filaments were glowing very dimly. I upped the voltage slightly and still they were not to full brightness. I thought something was wrong with the tester so tried another tube, and it was fine. So, I hooked the tester up again and, one by one, I watched the filaments burn out. The crt had gone to air over the course of 10 years.
I have one of those RCA test jig tubes with "Test Tube" etched on the face. It's a non-bonded 21" round color. I sure wish the etching wasn't there. I have heard others say it could be buffed out, but I don't know if I'll ever try it. The man I got it from had the jig a short while when he happened across a great deal on a then late model set with a broken crt, so he swapped this tube in and used it as his main home tv. Eventually he saved up for a new tube and put this one back in the jig.
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Bryan |
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julian |
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I have another question now:
Did anybody ever try to make a CRT that instead of a vacuum, the tube was filled with an inert gas, like Nitrogen or Argon? |
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Actually, all conventional electron beam CRTs have some level of residual gas present in them, so in that sense they are filled, usually, with low levels of Hydrogen and Nitrogen gas, even small amounts of argon. But we're talking really low levels. Noble gases are usually always found several reasons, first, these gases are made from lighter elements in the periodic chart and can be often difficult for the getter to pump away. Second, they are typically stable and resisit breakdown, and thrid, slow leaks usually allow the lightest molecules to slip into the tube.
So called "gassy" tubes occur when very high residual gas levels are found inside the CRT. High residual gas pressures result in more significant collisions with electrons emitted from the electron gun of the tube. Gas molecules get in the way and collide with the electrons from the gun causing them to scatter, resulting in poor electron optics performance of the gun so fewer electrons focus onto the screen. Hence, we get a dim washed out picture. Sometimes you can peer through the neck of a CRT an see a purplish glow - usually indicated gassy conditions as the residual gas moelcules ionize in the present of high electric fields from the kinode. But, I suppose what you really meant was, has someone deliberately made a CRT that requires a "gas" to operate. Well, the plasma display is one such device, invented by Robert Wilson in 1964. Think about a CRT without scanning electrons and where each pixel is represented by an single CRT. A plasma display is made up of hundereds of thousands of tiny cells filled with Xenon or Neon gas. It takes hundresd of thousands of these cells just to make up the picture. There are other examples too - limited only by your imagination. |
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This is off the subject, but what Tom Ryan mentions about materials different rates of expansion when heated is exactly why I do not like the radiators in new cars(The ones with the plactic ends and aluminum body). After both my 70s Mustang and early 1980s Pickup truck(both with brass radiators) went 20+ years without the radiators leaking, my wifes crappy aluminum/plastic radiators starts leaking after 5 years. What crap.
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Audiokarma |
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