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  #1  
Old 11-26-2005, 04:12 PM
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Larry Melton (oldtvman)
 
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The worst set I ever serviced

an earlier thread made note of the 23" Motorola set that came out in early 65' I believe. My uncle went out and bought one. The picture quality had no detail. and all reds looked orangy. The set itself used twin horz output tubes. and purity was always a problem. The only good thing was the cabinet was made by Drexel!!
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Old 11-26-2005, 05:19 PM
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Do you think that was due to the phosphors in the 23EGP22 tube or was it due to the color demodulation scheme? It seems like one of these Motorolas had a single tube that served as 3.58 mhz oscillator, color demods, and amps.
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Old 11-26-2005, 09:08 PM
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Quote:
Originally Posted by Chad Hauris
Do you think that was due to the phosphors in the 23EGP22 tube or was it due to the color demodulation scheme? It seems like one of these Motorolas had a single tube that served as 3.58 mhz oscillator, color demods, and amps.

Chad, I believe it was the demod circuits, another fact about those sets were that old people liked that smooth picture with no detail. I guess it was more appealing to them
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Old 11-27-2005, 12:58 AM
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<<Chad, I believe it was the demod circuits, another fact about those sets were that old people liked that smooth picture with no detail. I guess it was more appealing to them>>

It removed everybody's wrinkles and made them look young again... when you're old, you don't want to sit around watching other old people and be reminded of it : ()
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Old 11-27-2005, 01:42 AM
jstout66 jstout66 is offline
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heh! I beleive I may have been the one to share my Uncles hatred of those sets in that earlier thread. When I went with him on his house-call route in the late 70's early 80's there were a few of those sets he had to service. I never saw one with a decent picture, EVER. Also they most likely had to be hauled into the shop for repair. Glitchiest sets I ever saw. IMO those pre Zenith Chromacolors weren't the easiest to work on. ALL RCA's were pretty easy to service. My Grandpa worked in the shop as well, and he always had an opinion on everything. (Most of it bad if it wasn't Zenith... which we sold as well) He always said Zenith wasn't the easiest to service, but they were built to last, so service was far and few between. He said RCA's were easy to service because they were junk. He always said they were built to blow up. To really start him on a cussing frenzy tho was to see ANY Motorola set on call or brought into the shop. I think he hated the W.I.D. sets worse of all. Oh.. and lets not forget anything Japanese. I can still hear his shrill "What in THE hell!" when he'd work on anything he didn't like.....
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Old 11-27-2005, 01:48 PM
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It seemed to me that Zenith was actually easier because of the removeable screen on the bottom of the cabinet to gain access to the whole chassis and the hand wired construction...RCA could be a pain because you had to prop up the chassis or remove it to get at the parts...
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Old 11-27-2005, 05:12 PM
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Those junk sets made my house payment! I saw them as follows:
$$Motorola$$
$Generous Electric$
$RCA
That is mostly what came in, we had a lot of motos in my area.
Oddly enough, I am watching a '68 WID right now as I type this!!
It has been trouble free for a year now, of course I only use it a couple of times a year...!!

Last edited by captainmoody; 11-27-2005 at 09:09 PM.
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Old 11-27-2005, 07:37 PM
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Quote:
Originally Posted by jstout66
Oh.. and lets not forget anything Japanese. I can still hear his shrill "What in THE hell!" when he'd work on anything he didn't like.....
About 25 years ago a guy in our small company's service and manufacturing dept was working on one of our products that had in it a Japanese B&W monitor. He was cussing something like "First they gave us Pearl Harbor, now this!" as he was struggling with some defect in the monitor.

This company, Matrix Instruments, which no longer exists, made a strange product. Namely a box that would accept a video feed from a hospital CAT scanner and create photographic hard copy. A video monitor inside the box with the CAT scanner image was focused via a camera lens onto a piece of Xray film. Lens had a shutter like a real film camera. Then you'd develop the film. Then the doctor had hard copy like that from actual Xray machines. This was back in 1979. Before computers were popular.

As a friend who worked with me there once said, it was: "A standard issue job at a typical company that made a boring product".
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Old 11-28-2005, 01:42 AM
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Old 11-28-2005, 01:01 PM
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The "NOS" DuMont (Emerson) color set (1970 model) that I have is a real piece of work. Has an amateur quality to some of the design. Big, flimsy boards, some hard to reach components. When its working right it displays a picture that has the same softeness as the low focus voltage RCA's or a Motorola.

I have an 18" GE hybrid that is something of a joke, too. I just don't understand how they expected you to service some of the components.

Then there is the 21" Motorola bw table model from the late 50s in which you cannot access the bottom of the chassis without taking the entire cabinet completely apart, sides, top, everything. What were they thinking??? At least that set does work quite well. (as any late fifties bw should, IMO)
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Old 11-28-2005, 08:07 PM
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At least in my admittedly (very) limited experience, the Most Repairman-Unfriendly and Remarkably Unsafe TV to Work On Award goes to the 1958 RCA 17" B&W portable I got about 10 years ago. It's pretty cool looking-- a fine example of a TV-that's-trying-to-look-like-a-car-that's-trying-to-look-like-a-jet-plane. ...Complete with two-tone blue paint job and decorative (gold-colored) "fins" on the side. Heaven help you if it needs repair though.

It's been a while, so I may have some of the details wrong, but here's what I recall. Also, I didn't have any service docs for this set, so perhaps there's a "secret" dissasembly method that I wasn't aware of.

Like many late-50's sets, it has a steel cabinet with a vertical chassis, with the tube sockets facing the back of the set. Some components are on a PC board, but it's mounted sideways with the tube sockets facing the side of the set. The limited clearance between the PC board and the side of the cabinet is made all the worse because the speaker is also mounted to the cabinet there. There's just enough room to stick a hand in there to change tubes on the PC board, but that's it. Oh, and the foil side of the board is covered with a metal shield. Did I mention that the PC board is of the typical 50's variety where a lot of the foil traces have long-ago peeled from the board itself, and now scarcely millimeters away from touching that metal shield..?

If you need to do (almost) anything besides changing a tube, then the real fun begins. As I recall, removing the chassis involves the following steps (and a lot of patience):

- Remove all the knobs (of course).

- On the inside of the set, remove the self-tapping machine screws that hold the chassis to the brackets welded to the metal cabinet. Avoid cutting yourself on the sharp edges of the cabinet lip or the metal brackets.

- No, you can't remove the chassis yet.

- Unbolt the speaker from the cabinet. Set it aside.

- You're definitely not done yet.

- Disconnect the CRT socket. Loosen the yoke and partially slide it off the CRT. Don't worry about the yoke slipping off the neck. It's not going anywhere. The yoke leads are so short the yoke will hardly move anyway.
No, there is no detachable plug/socket for the yoke.

- On second thought, tighten the yoke again. There's something else you have to do first. Remove the external screws that hold the front bezel (including the safety glass) in place. Pull off the front bezel.

- This will reveal several screws that hold the CRT in place (on a metal band/bracket, as I recall). It will also reveal the sharp edges of the front of the metal cabinet. Loosen the yoke again, and then start removing those screws. Keep your other hand at the back of the set-- don't let the CRT fall!

- Done removing the CRT mounting screws? Great! Now, work the CRT forward so as to remove it from the cabinet, while continuing to support the neck of the tube.

- Now discover that the 2nd anode (HV) cable has so little slack that you can only move the CRT about an inch or two forward. Oh, there's the HV cable; it was hidden behind the chassis where you couldn't see it. Another thing you couldn't see is that the HV cable is completely lacking the usual 'suction cup'-- or any other insulation-- at the 2nd anode terminal. So you better make darn sure that CRT is completely discharged and stays that way!

- Now you get to snake your hand into the slim space between the edge of the cabinet front and the bell of the CRT and blindly grope for the HV lead and disconnect it, all while trying not to cut yourself on the unprotected edge of the sheet metal cabinet or getting *zapped* by the unprotected HV lead.

- Having accomplished that, finish removing the CRT from the cabinet from the front. Don't relax yet, though-- you've got to keep one hand in back at the base of the CRT ready to "catch" the yoke before it falls off the CRT neck and smashes into a tube or something.

- Set the CRT aside. Now you can remove the chassis. Well, it's not quite *that* simple. It's a pretty tight fit, and you have to manuver it out the back of the cabinet over, under, and through those mounting brackets as well as the bent lip of the cabinet back.

- Now on your work table you have the chassis! ...along with a CRT, the front bezel, the speaker, and an empty cabinet. Marvel at how thin and flimsy that cabinet really is when it no longer has any internal support-- I've seen tin cans that had heavier steel than that cabinet.

- Repeat the above steps in reverse to re-install the chassis. Have fun!

I'd say it's easier to pull the chassis in the RCA 630TS (and its friends) even though that also involves removing the CRT first...
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  #12  
Old 11-29-2005, 03:29 AM
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Worst set to work on? I say the mid-70s GE projection set with the 12" single tube and leather bench seat. Can't remember (AND DONT WANT TO) the model #. It was 6' long, 4' high and had a horrible dim picture even from the factory. You'd have to remove 9,738 rounded-off bolts with bad threads that you can't reach anyway, then smash knuckles to bang the chassis slightly out to get to anything while on your knees, and slice your arms on the razor-sharp metal housing for the CRT. Then after changing the FBT and the CRT, you bang it back together and spend the weekend trying to get optical focus on it. I worked on two of them, which was two too many! And the worst non-bigscreen to work on would be the Toshiba color sets from the mid 70s with the modules sitting stacked 1/2" apart where you can't reach anything to troubleshoot. Great reliable TV, but impossible to work on.

Charles

Last edited by Kaye-Halbert TV; 11-29-2005 at 03:32 AM.
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Old 11-29-2005, 12:42 PM
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Last edited by andy; 12-07-2021 at 02:28 PM.
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  #14  
Old 12-06-2005, 02:21 AM
Tom_Ryan Tom_Ryan is offline
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Getting back to the 23" Motorola color with the 23EGP22 tube. Now there's a set I'd like to have for my collection. Any one know where I can get one?
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  #15  
Old 12-06-2005, 07:27 AM
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Hi Tom, Good to see you made it here! If I remember correctly, You got a set or two from me in the past. I have a pretty good sized moto collection but at the time do not have that set here in Michigan. The one you are looking for should still be at my parents farm in NC but may or may not be what you want as it has a January 1966 manuf. date. It was in pretty well used shape also.
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