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The 721TS has been running for about an hour this morning. I am told the electrolytics will not last long term. I am curious what evidence is there of that?
There is no sign of any heat or stress on the electrolytic capacitors after running about 14 hours in total. Any thoughts when they will fail? The point of this exercise is to point out in a project such as this, that perhaps it is unwise to shotgun replace most of the electronic components. I am amazed reading here that even resistors that have marginally drifted out of tolerance are replaced. Paper capacitors indeed go leaky but even then, is it necessary to change all of them even if it makes no difference to circuit performance? I have previously contested that the wholesale replacement of parts is unnecessary and will likely lead to considerable extra work and grief. It took me less than a day to get this set up and running. The key here is to scrutinize the circuit in advance to identify components which will likely fail with catastrophic results eg up-in-flames, smoldering resistors or undo stress on the power transformer and rectifier. If concerned, you can always insert a slo=blow fuse in the B+ rail. More time should be spent paning before execution. I contend the Sprague and Mallory branded electrolytics made from the late 1940's were very well manufactured and will operate satisfactorily and reliably even today. This is if and only if you reform the diectric properly and with a bit of care. In the last 50 years of repairing these old sets, I do not recall ever seeing a bad mica capacitor in an RCA set. I think more time spent understanding how the circuits work will result in less physical effort and result in a set that maintains more of its overall originality. Last edited by Penthode; 06-22-2020 at 08:45 AM. |
#17
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I restored a 51 TV earlier this year and did it one part at a time just to bone up on tube troubleshooting. Once done, it was shotgunned (well, not fully done). This TV has nine electro cans, and two were bad on first power up, one taking out the 5U4, the other taking out a 6X4. I pulled them and restuffed them, and soldiered on. While working on the sound section, another can that had previously checked fine and had run cool for several hours decided to make itself known. A slight change in the picture followed by a hiss told me another can had enough. Where it was running cool for several hours beforehand, it now was *very* hot. The fact that it was also drooling like a 5 year old kid with a mouth full of Sour Gummy Worms was another clue.. So far, 4 cans restuffed and the other 5 will be done before final assembly. The paper caps that are running fine will also be replaced before final assembly and alignment. John |
#18
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You can get lucky and have a set come to life on a minimal recap , and you can get really lucky and have it last, but experience with that approach tells me it's a waste of effort.
I have a 62 Zenith 29JC20 (their first consumer color set) that I tested every lytic for leakage on my Heathkit C3 in and initially changed only 2-4 sections. All the cans ran cool for a few weeks then over the course of a month they started dying at a section or 2 a week after 3-4 rounds of this I got mad and changed the remaining ~3 sections. My CTC4 also illustrates this... When I got it about 8 years ago I changed all caps, but the doubler lytics (which tested fine and ran cool) ran it for a few months, concluded it had alignment issues and shelves it in a move till covid came knocking... I variaced it and then found changing all the off tolerance resistors fixed the alignment issues I was experiencing. When I finally had it done as I was putting the back on the screen image shrunk and the sides started undulating....you guessed it one of the doublers started leaking. The minimalist approach is fine for learning, and for sets destined to become low use shelf queens, but daily drivers are too troublesome with original caps...I've learned that the hard way enough to not be convinced otherwise.
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Tom C. Zenith: The quality stays in EVEN after the name falls off! What I want. --> http://www.videokarma.org/showpost.p...62&postcount=4 |
#19
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The 721TS I plan to keep and I want to retain as much of t original as possible. And my past reference is more than 50 years of restoring electronic equipment. I see that the Sprague and Mallory capacitors have an unduly bad reputation. If the electrolytics lasts 100 hours and I do not abuse it I expect it will last the remainder of my lifetime. Would you agree? I would also venture it will outlast a modern replacement if I was to install one. The 721TS has been running 20 hours now and still running fine... |
#20
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The capacitors I have changed I identified are subject to voltage breakdown. I have only changed the ones I see which pose a threat. If I experience an alignment problem, I would investigate and if a straight forward voltage check would reveal the restor problem. And yes I would replace them. But I use these sets daily and I have no fear of the component I left remaining breaking down if the set runs on the bench for a couple of days without issue. I have also seen electolytics fail over time. But did you reform them and check leakage before buttoning on the back cover? I am seeing the average recommended leakage expected on electrolytics of this vintage to keep the dielectric in place. I would have replaced them if the leakage was above my reference limit. So this set is going to be a daily driver and i will not fear capacitor failure if it gets past 50 hours. On the a continuing note, I have noticed the 721TS has a slight low frequency smear in the picture. I left one paper capacitor in place in the video amplifier: the 0.05 uF between the video second detector and the input of the first video amplifier stage. The DC voltage across it is only a couple of volts. It may have a high ESR which is affecting the picture. Then again it may be an open peaking coil or a drifted resistor. I put a multiburst from the Sencore VA-62 on the screen and a good clean 3.0 MHz response is seen, which is normal for a 3 stage IF set like this one and the tuning appears correct with no ringing and the video carrier appearing to drop on the nyquist slope and you reach optimum sound. So the diagnosis continues. And the point of this post is to highlight the process of restoration rather than wholesale rebuilding. Last edited by Penthode; 06-22-2020 at 01:45 PM. |
Audiokarma |
#21
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-gets out the popcorn, ready to watch the fireworks!
__________________
=^-^= Yasashii yoru ni hitori utau uta. Asu wa kimi to utaou. Yume no tsubasa ni notte. いとおしい人のために |
#22
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The capacitors I have changed I identified are subject to voltage breakdown. I have only changed the ones I see which pose a threat. If I experience an alignment problem, I would investigate and if a straight forward voltage check would reveal the restor problem. And yes I would replace them. But I use these sets daily and I have no fear of the component I left remaining breaking down if the set runs on the bench for a couple of days without issue. I have also seen electolytics fail over time. But did you reform them and check leakage before buttoning on the back cover? I am seeing the average recommended leakage expected on electrolytics of this vintage to keep the dielectric in place. I would have replaced them if the leakage was above my reference limit. So this set is going to be a daily driver and i will not fear capacitor failure if it gets past 50 hours. On the same note There appears to be a slight low frequency smear in the picture. I left one paper capacitor in place in the video amplifier: the 0.05 uF between the video second detector and the input of the first video amplifier stage. The DC voltage across it is only a couple of volts. It may have a high ESR which is affecting the picture. Then again it may be an open peaking coil or a drifted resistor. I put a multiburst from the Sencore VA-62 on the screen and a good clean 3.0 MHz response is seen, which is normal for a 3 stage IF set like this one. So the diagnosis continues. And the point of this post is to highlight the process of restoration rather than wholesale rebuilding. |
#23
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I've found that in the time it takes to evaluate each cap I can recap a set several times over. And the time I waste on repeated repairs on my daily driver sets when I don't do a full recap is worth more to me than the cost of capacitors or maximal originality. Each part has a bell curve of failure and on high production sets I'm sure some examples may still be usable with all original caps today and into the future...when you find one you are winning the lottery statistically speaking....my luck usually ain't that good and I don't like to gamble my scarse time on unreliable parts after doing similar experiments to yours. Some makes and models are more picky about exact component value than others. I've seen it for myself plenty, and some who have restored a set like yours and a Muntz will complain that the Muntz will be picky about tubes and precise (not necessarily accurate values but precise) component values.
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Tom C. Zenith: The quality stays in EVEN after the name falls off! What I want. --> http://www.videokarma.org/showpost.p...62&postcount=4 |
#24
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Anything I restore I do so with the expectation that the next guy won't have a lot to do if something inevitably fails - and that guy will be one of my two sons in most cases. I have two items of significant age running original capacitors: one of my Fisher X-1000 integrated tube amps from 1962 has all it's original capacitors - my original X-1000 blew a can about 35 years ago. In any case, I don't let either Fisher run unless I'm in the same room with it. The second is my 1929 RCA Radiola 62. This has no electrolytics at all and the paper capacitors are made with rice paper instead of rag. Radiola experts say don't change any caps in a 20s Radiola unless you run across one. Quote:
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Parting shot: when I restuffed the four cans on my TV, I did a postmortem on the innards and what I found is a lot of degradation in the foil and the paper as I unrolled it. It wasn't a matter of if it was a matter of when. The other five cans in my TV are still original and of the same manufacture, but I know what's inside and I know they need to be serviced before they burn out a part that could only be sourced from the nation of Unobtanium. John Last edited by JohnCT; 06-22-2020 at 05:40 PM. |
#25
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I've restuffed a lot of late 40's capacitors, about 90% of them are dried up inside with the electrolyte turned to a white crystalline powder and the Aluminum foil is rotted and deteriorated. They often would still work to some extent, but no way were they okay.
Normally they would be damp to actually wet inside. Low leakage is one part, but have you checked them for capacitance? I suspect the deteriorated ones have lost a lot. |
Audiokarma |
#26
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And why do you suggest I am winning the lottery? I have repaired a number of sets and about 25% have retained the electrolytics if they behave. Okay the set remains on the bench for a couple of weeks while I give it a good run though. But I am perplexed why immediately the first thing suggested to do is to replace the electrolytics without even a rudimentary examination? The set now has completed 25 hours. I am going to investigate the video amplifier this evening and run it a few more hours. |
#27
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__________________
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#28
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But how do you define rotted aluminum with crystalline powder? I suppose we assume the crystalline is dried electrolyte? There is a chemical process within the can and I would expect the insides to appear messy. What is your evidence it is not supposed to look as it does? Or perhaps the question should be how does it differ from a newer capacitor? I have also opened 1940's cans to restuff with new caps and found some moist and pliable. Would this mean that the capacitor had remained good? I am defining whether a capacitor is good or fails by capacitance, leakage and life test. Is yours the assumption if the capacitor is more than 30 years old, it must automatically be bad? |
#29
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I didn't test before reforming in this instance. But after reforming the capacitance was within 20% on the units I tested. (I didn't bother to test ever unit as this would have required additional desoldering-resoldering. But good observation. And the point I want to make is to try and conserve and maintain as much of the original early electronic circuitry as possible. This can be done with due caution. And remember, if I was doing this for anyone but myself, I would probably resort to changing all the electrolytic capacitors! From a personal side, I like maintaining as much originality as possible. |
#30
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__________________
=^-^= Yasashii yoru ni hitori utau uta. Asu wa kimi to utaou. Yume no tsubasa ni notte. いとおしい人のために |
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