|
#1
|
||||
|
||||
Somewhere in the back of my feeble little mind, I THINK I remember reading that a lot of the early color experimentation in Blighty was done on 405...
__________________
Benevolent Despot |
#2
|
|||
|
|||
Yes I believe that is true, I've read that NTSC looked very good on 405 lines. On 625 lines the BBC tested NTSC, PAL & SECAM, they eventually chose PAL for hue stability. Read that some ITV companies wanted SECAM, & most set makers wanted NTSC...
|
#3
|
||||
|
||||
SECAM was a nightmare in the studio. You can't fade or mix it without severe compromises. I once worked for Michael Cox Electronics who made genuine SECAM vision mixers. Hideous things, with no possibility for them to be any better. It's no surprise that France was in the vanguard of component (YCbCr) colour studio techniques. In some SECAM countries they took a pragmatic approach and ran the studios in PAL, transcoding to SECAM for transmission.
|
|
|