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SECAM was a nightmare in the studio. You can't fade or mix it without severe compromises. I once worked for Michael Cox Electronics who made genuine SECAM vision mixers. Hideous things, with no possibility for them to be any better. It's no surprise that France was in the vanguard of component (YCbCr) colour studio techniques. In some SECAM countries they took a pragmatic approach and ran the studios in PAL, transcoding to SECAM for transmission.
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