Quote:
Originally Posted by ohohyodafarted
And thusly, a 15GP22 looks more like true Technicolor motion picture film. I saw Pete Deksnis' CT100 in person, which he has set up better than any CT100 I have seen. The color on Pete's set will knock your socks off if you are viewing the right program material.
Bob
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I second that, the picture is amazing on that thing Pete, I use a screenshot for my desktop . Also, these full gamut phosphor tubes are designed to utilize the full I and Q demodulator system, something that the60's sets did not do. They only use "y" demod.
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